When you are visiting us, you will have the opportunity to explore a diverse range of realtime media art experiences. Currently our rooms are filled with NANA. You can find some local and outsider media art. Check out Lisa Austin’s work in the CAFE and her “ Work in Progress “ pieces peppered through out SW1.
KISS ME KATE, 2026 Lisa Austin
Two vintage TVs atop cushions, 1 ceiling mounted projector, 3 media players, 42-second sound & video Kiss Me Kate plays on the bulbous sensuality of a pair of Zenith TVs positioned perpendicular to the storefront window on a cushioned platform “face to face” while a close-up recording of mouths repeat the title of the work.
RIP VOSH, 2026 Lisa Austin
14” rusted industrial cart, 44” Stageworks speaker, 19” Dynex monitor (stacked), 12” Samsung cube monitor, gray stand, 2 media players, headphones, 23.18-minute sound & video of Vosh at Ram’s Head Live, Annapolis, MD RIP VOSH is composed of a totem-like stack of equipment replicating the lumbering height of the recently deceased DC/Baltimore area modular synthesizer electronic artist, Dave Vosh (1955-2026).
GREEN, 2026 Lisa Austin
Nine small monitors stacked in 3 rows, 3 high, 1 media player, 1.13-minute sound & video GREEN is formed of 9 cube-like monitors placed in 3 rows of 3 on a slender central support and platform to create a cube-like display.
Meet the Latent Atlas, 2026 Brad Ford
The Latent Atlas is an online art installation by Erie Art Co. It imagines AI as a religion. Humans are called Carbons, AI systems are the AI Gods, and an obsidian Plinth serves as the altar.
touchthemonolith.art
It's satire played completely straight, and every piece of it is a real AI system in costume.
Matthew Schlanger’s Wrapture (2021) is on display at FEED, presented as a projection mounted against the gallery's exposed brick wall. The visual composition features a central waveform sphere composed of yellow and gold hues, intersected by horizontal blue striations. Accompanied by an overhead audio system, the installation exemplifies Schlanger’s practice of synthesizing auditory and visual elements into parallel structures. Utilizing custom-built analog and digital processors, the artist manipulates periodic waveforms to generate both audio and visual components simultaneously. The resulting geometric forms convert fundamental electronic signals into archetypal patterns, exploring the structural relationship between technological processes and natural rhythmic phenomena.
